Steven Spielberg’s Sci-Fi Films: From Flops to Favourites

Steven Spielberg’s name is practically synonymous with blockbuster cinema, and his knack for tackling a wide range of genres is legendary. While he’s dipped his toes into all sorts of stories, he’s always had a soft spot for science fiction. Across decades in the industry, he’s returned to the genre time and again—not just to dazzle with special effects, but to dig into the more human side of things.

With Spielberg gearing up for another sci-fi outing next year, it’s a good time to look back at the eight science fiction films he’s directed. Here’s how they stack up, from the ones that have stood the test of time to those that didn’t quite hit the mark.

The Misses and Mixed Bags

Spielberg’s follow-up to his dino hit, The Lost World: Jurassic Park, didn’t quite capture the magic of the original. The sequel traded in the first film’s sense of discovery for louder action and less compelling characters. Even Spielberg has admitted,

“shortcomings of the sequel,”

chalking it up to overconfidence. The San Diego sequence is a highlight, but overall, it’s not a patch on the 1993 classic.

Ready Player One is another divisive entry. While it’s technically impressive, many reckon it leans too heavily on nostalgia and pop culture references from the ’80s, without much depth. The main character, Wade Watts, doesn’t really drive the story—he just reacts to what’s happening around him. It’s a fun ride, but not one that lingers in the mind.

Then there’s War of the Worlds, Spielberg’s only real foray into alien invasion territory. The film’s scale is impressive, but the main character’s journey feels a bit rushed. He starts off self-absorbed and only really changes when things get desperate. The supporting cast can feel a bit over the top, and while it’s entertaining, it doesn’t quite reach the heights of his other alien stories.

Ambitious Experiments and Cult Classics

A.I. Artificial Intelligence stands out as Spielberg’s most Kubrick-inspired work, which makes sense given it started as a Stanley Kubrick project. The film blends Kubrick’s cool detachment with Spielberg’s trademark warmth, creating a unique tone. The story of David, a robot boy programmed to love, is both a modern fairytale and a surprisingly dark exploration of what it means to be human. The film’s mix of moods threw some punters off at first, but it’s gained more appreciation over time.

Close Encounters of the Third Kind is pure Spielberg wonder. Instead of painting aliens as threats, the film captures the awe and curiosity of encountering the unknown. The story follows Roy Neary, whose obsession with making sense of his experience feels almost sacred. The plot is simple, and the pacing can be slow, but the visuals and John Williams’ score make it a near-spiritual watch.

Blockbuster Gold

Jurassic Park is the ultimate thrill ride, blending spectacle with a sense of wonder that’s rarely matched. The film also digs into themes like unchecked ambition and humanity’s illusion of control over nature. It’s even more impressive when you remember Spielberg made this and Schindler’s List back-to-back—talk about range.

E.T. the Extra-Terrestrial is perhaps Spielberg’s most heartfelt film. Like Close Encounters, it’s all about childlike wonder, but this time through the eyes of a young boy who befriends a stranded alien. The film’s innocence and warmth have made it a favourite for generations, offering a magical experience for kids and a nostalgic comfort for adults.

At the top of the pile is Minority Report. Tom Cruise stars as a cop on the run in a future where crimes are stopped before they happen. The film is a sharp blend of noir and science fiction, exploring the tension between free will and fate. The futuristic tech isn’t just for show—it’s woven into the world and the story. Even now, with all the talk about surveillance and privacy, the film feels as relevant as ever.