Why Pillion Is the Boldest, Most Surprising Film of the Year—And Not Just a Rom-Com

Forget everything you think you know about romantic comedies—Pillion is here to upend every expectation. This film, inspired by Adam Mars-Jones’ novella Box Hill, takes viewers on a journey far removed from the light-hearted, formulaic tales that usually define the genre. Instead, it plunges into the depths of a dominant and submissive relationship, exploring the emotional intricacies and power dynamics with a level of honesty rarely seen on screen.

At the heart of the story is Colin, played with remarkable vulnerability by Harry Melling. Colin is a quiet, somewhat awkward man still living with his parents in the outer suburbs. His world shifts dramatically after a chance meeting with Ray, a charismatic biker leader brought to life by Alexander Skarsgård. Their connection is immediate and intense, quickly evolving into a relationship that challenges both men’s boundaries. The film doesn’t shy away from the physical or psychological aspects of their bond, instead choosing to examine them with nuance and care.

While some early reactions have tried to label Pillion as a feel-good romance, that description barely scratches the surface. The film’s humour is subtle, often tinged with sadness, and the romance is anything but conventional. Ray’s dominance is clear from the outset—Colin moves into his home, takes on domestic duties, and even adopts a new look at Ray’s insistence. Yet, beneath the surface, Colin’s journey is one of self-discovery. He begins to question what he truly wants, and the film doesn’t flinch from showing the discomfort and confusion that come with that process.

Director Harry Lighton, in his feature debut, demonstrates a deft touch with tone. The film’s comedic moments never undermine the seriousness of Colin’s experience, and the audience is invited to empathise rather than judge. The supporting cast, including real members of the Gay Bikers Motorcycle Club, adds authenticity and depth, ensuring the depiction of this subculture feels genuine and respectful. Nothing is played for shock value; even the most explicit scenes are handled with sensitivity.

It’s important to note that the original novella was written in a very different era, shadowed by the AIDS crisis and restrictive laws in the UK. The film, set in the present day, sheds some of that historical weight, allowing for a more hopeful and open exploration of sexuality. Colin’s family is more accepting, and he’s portrayed as slightly older and more self-assured than his literary counterpart. These changes bring a lighter touch to the story, without sacrificing its emotional impact.

Both Melling and Skarsgård deliver performances that are nothing short of fearless. Their willingness to embrace the vulnerability and complexity of their characters is what makes Pillion so compelling. The film doesn’t romanticise the darker aspects of their relationship, nor does it sanitise them for mainstream audiences. Instead, it presents a raw, honest portrait of two people navigating desire, power, and the search for personal freedom.

By the film’s conclusion, it’s clear that Pillion isn’t interested in easy answers or tidy resolutions. Colin emerges changed—more confident, more aware of his own needs, and ultimately, more content. The film’s message is one of liberation: true happiness comes from understanding and accepting yourself, no matter how unconventional that path may be.

Pillion is set to hit cinemas in the UK and US soon, and it’s a must-see for anyone ready to experience a love story that refuses to play by the rules. This is a film that will linger in your mind long after the credits roll, challenging you to rethink what intimacy and connection can look like on screen.